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Perspective in Stage Design: An Application of Principles of Anamorphosis in Spatial Visualisation

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2016
804.pdf (2.576Mb)
Authors
Čučaković, Aleksandar
Paunović, Marijana
Article (Published version)
Metadata
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Abstract
The goal of this paper is to demonstrate the various models of perspective anamorphosis used in the visual arts, which are also applicable to stage design. Through comparative analysis, borderline conditions emerge through which certain perspective models assume traits of anamorphosis, as well as conditions for their use in stage design. The idea is to provide practical instructions which are usable on the stage. This effort saw the use of constructive perspective methods, projective and descriptive geometry, while retaining a pictorial and an optical-physiological perspective. The examples of stage design that are shown in the paper are mostly from the National Theatre in Belgrade, the oldest theatre in Belgrade, and an institution that collaborates with the Faculty of Applied Arts. The perspective models of anamorphosis, analysed here, were chosen according to the unique features of the stage and its elements, which include: a perspective image projected on multiple planes, relief pe...rspective as the anamorphosis of space, and the cylindrical perspective.

Keywords:
Descriptive geometry / Stage design / Relief perspective / Cylindrical perspective / Representations of architecture / Virtual architecture / CAD / Viewing angle / Constructive perspective / Pictorial perspective
Source:
Nexus Network Journal, 2016, 18, 3, 743-758
Publisher:
  • Birkhauser Verlag AG
Funding / projects:
  • Development and application of scientific methods in designing and building highly economical structural system using new technologies (RS-36008)

DOI: 10.1007/s00004-016-0297-5

ISSN: 1590-5896

WoS: 000388958000009

Scopus: 2-s2.0-84962651138
[ Google Scholar ]
2
2
URI
https://grafar.grf.bg.ac.rs/handle/123456789/806
Collections
  • Radovi istraživača / Researcher's publications
  • Катедра за техничку механику и теорију конструкција
Institution/Community
GraFar
TY  - JOUR
AU  - Čučaković, Aleksandar
AU  - Paunović, Marijana
PY  - 2016
UR  - https://grafar.grf.bg.ac.rs/handle/123456789/806
AB  - The goal of this paper is to demonstrate the various models of perspective anamorphosis used in the visual arts, which are also applicable to stage design. Through comparative analysis, borderline conditions emerge through which certain perspective models assume traits of anamorphosis, as well as conditions for their use in stage design. The idea is to provide practical instructions which are usable on the stage. This effort saw the use of constructive perspective methods, projective and descriptive geometry, while retaining a pictorial and an optical-physiological perspective. The examples of stage design that are shown in the paper are mostly from the National Theatre in Belgrade, the oldest theatre in Belgrade, and an institution that collaborates with the Faculty of Applied Arts. The perspective models of anamorphosis, analysed here, were chosen according to the unique features of the stage and its elements, which include: a perspective image projected on multiple planes, relief perspective as the anamorphosis of space, and the cylindrical perspective.
PB  - Birkhauser Verlag AG
T2  - Nexus Network Journal
T1  - Perspective in Stage Design: An Application of Principles of Anamorphosis in Spatial Visualisation
EP  - 758
IS  - 3
SP  - 743
VL  - 18
DO  - 10.1007/s00004-016-0297-5
ER  - 
@article{
author = "Čučaković, Aleksandar and Paunović, Marijana",
year = "2016",
abstract = "The goal of this paper is to demonstrate the various models of perspective anamorphosis used in the visual arts, which are also applicable to stage design. Through comparative analysis, borderline conditions emerge through which certain perspective models assume traits of anamorphosis, as well as conditions for their use in stage design. The idea is to provide practical instructions which are usable on the stage. This effort saw the use of constructive perspective methods, projective and descriptive geometry, while retaining a pictorial and an optical-physiological perspective. The examples of stage design that are shown in the paper are mostly from the National Theatre in Belgrade, the oldest theatre in Belgrade, and an institution that collaborates with the Faculty of Applied Arts. The perspective models of anamorphosis, analysed here, were chosen according to the unique features of the stage and its elements, which include: a perspective image projected on multiple planes, relief perspective as the anamorphosis of space, and the cylindrical perspective.",
publisher = "Birkhauser Verlag AG",
journal = "Nexus Network Journal",
title = "Perspective in Stage Design: An Application of Principles of Anamorphosis in Spatial Visualisation",
pages = "758-743",
number = "3",
volume = "18",
doi = "10.1007/s00004-016-0297-5"
}
Čučaković, A.,& Paunović, M.. (2016). Perspective in Stage Design: An Application of Principles of Anamorphosis in Spatial Visualisation. in Nexus Network Journal
Birkhauser Verlag AG., 18(3), 743-758.
https://doi.org/10.1007/s00004-016-0297-5
Čučaković A, Paunović M. Perspective in Stage Design: An Application of Principles of Anamorphosis in Spatial Visualisation. in Nexus Network Journal. 2016;18(3):743-758.
doi:10.1007/s00004-016-0297-5 .
Čučaković, Aleksandar, Paunović, Marijana, "Perspective in Stage Design: An Application of Principles of Anamorphosis in Spatial Visualisation" in Nexus Network Journal, 18, no. 3 (2016):743-758,
https://doi.org/10.1007/s00004-016-0297-5 . .

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